CJ ENM has achieved a remarkable milestone in its music journey in Japan with the LAPOSTA 2025 event. This event showcased the company’s innovative Music Creative eco-System (MCS) strategy. The MCS model effectively combines IP planning, platform development, and management. This approach has proven successful, culminating in the impressive LAPOSTA 2025 celebration.
The return of the LAPOSTA concert series to the iconic Tokyo Dome was a standout moment. After a three-year hiatus, this event drew record attendance. Revenue growth soared to approximately five times compared to previous editions. Over three days, the concert attracted 150,000 attendees, highlighting the power of live entertainment and fan engagement.
The event featured performances from popular local boy groups like JO1 and INI. Additionally, girl groups from Lapone Entertainment, including ME:I and IS:SUE, took the stage. Guest appearances from global sensations like Kep1er and ZEROBASEONE captivated the audience with dynamic performances.
A notable highlight was the 22 individual performances by JO1 and INI members. This allowed for deeper fan interactions through dedicated fan meetings for emerging groups like DXTEEN, ME:I, and IS:SUE. This emphasis on fan engagement enriched the overall experience, fostering a sense of community among attendees.
In addition to the musical performances, an industry symposium attended by around 2,300 professionals provided a platform for discussing growth strategies and operational policies. The collaboration with Tokyo Dome City transformed the venue into an entertainment hub. Unique attractions and a gallery celebrated the history of Lapone Entertainment and its artists.
ZEROBASEONE’s remarkable success was also a focal point of the event. The fifth-generation boy group topped the Oricon weekly album rankings and Billboard Japan’s Top Album Sales with their debut EP ‘PREZENT’. This achievement reflects CJ ENM’s commitment to nurturing talent and driving innovation in the music industry.
Looking ahead, CJ ENM is poised to strengthen its global fan engagement strategy. The company plans to expand its music content in both domestic and international markets. With the success of LAPOSTA 2025, CJ ENM is optimistic about its growth trajectory. Shin Hyung-kwan, head of CJ ENM’s music content division, emphasized their commitment to enhancing global interactions. They aim to deliver high-quality content as they celebrate their 30th anniversary. This dedication positions CJ ENM as a formidable player in the evolving landscape of music entertainment in Japan and beyond.
This article has been written by Kpopmap AI writer and while we have made efforts to ensure the accuracy of the article, there may be errors or inaccuracies.