Following their earlier 2024 comeback with WORK and the first part of their Golden Hour series (yet to be reviewed, but it is incoming), ATEEZ has returned with the second instalment of the series. As part of that new mini-album is the new single Ice On My Teeth.
Elegant hip-hop is the first thing that came to mind when I heard Ice On My Teeth. The combination of the hip-hop beat and the classical elements melds together extremely well and created a very unique atmopshere. I do like how the song outros itself, re-emphasing the smoothness of Ice On My Teeth. But while I really liked the production of Ice On My Teeth, I did think the song could have gone further. It is quite subdued in its current state and the track really needed something to break this. I lowkey was expecting an explosive peak of some kind (perhaps an explosive high note from JONGHO or a really bold concentration of the music towards the end), just to really drive home the song. But we never got there. I can say the exact same thing about their vocals and rapping. They very much embrace the elegance and made sure they fit that vibe of Ice On My Teeth. But in doing so, they keep themselves so subdued and they needed some more oomph to break this consistency. The biggest issue I have with Ice On My Teeth are the lyrics. They stuck out from the very first listen, but not in a good way. If anyone can tell me what “I brought diamonds at my dentist, I’ve been playing like tennis” means, that would be much appreciated.
Just the song, the music video also goes down the elegant route. And there isn’t anything as elegant as a big mansion they are in. Throw in some renaissance art, ballerinas, chandeliers, headbusts – you pretty much get the picture. I do like how the video keeps it edgy (as this is ATEEZ we are talking about) by having everyone else in the video don balacavas (including the headbusts). The bonfire and setting the place alight also lends well to this edginess. All the members looks so good visually, as well as the camera work in the video.
For the performance, I really find their movement on stage to be so smooth. From the backwards shuffle to the slant crab-like walk (think there is a proper name for this move, but I cannot think of it), everything looked sleek and goes well with that elegance that is channeled through all aspects of the comeback. As for the rest of it, I liked how ATEEZ finds the balance to make sure it looks intense (like their other routines) without being visually intense. Their aura and charisma on stage must also be commended.
Song – 8/10
Music Video – 9/10
Performance – 9/10
Overall Rating – 8.5/10